EAAI Journal 2026 Journal Article
A novel Brownian bridge diffusion-based generative inpainting algorithm for ancient murals
- Yong Chen
- Zhixin Fan
- Shilong Zhang
Ancient murals, as one of the important types of ancient painting art, are an important carrier of human civilization and an important part of traditional culture. Existing deep learning algorithms for mural inpainting often lack constraints in global feature generation and structural information guidance, resulting in defects such as blurred edges and missing detailed textures in the inpainting murals. To address these limitations, this paper proposes a novel Brownian bridge diffusion-based generative inpainting algorithm for ancient murals. First, based on the physical constraints of the Brownian bridge process, we propose a diffusion process based on Brownian bridge to overcome the blindness of Gaussian noise addition in the traditional diffusion process. Subsequently, a line-drawing structure extraction module, which integrates HED-based edge embedding with a pyramid-structured autoencoder, is designed to provide detailed texture structures for models, solving the problem of missing detailed textures. Finally, a dual-prior guided inverse iterative inpainting module synergistically leverages both the Brownian bridge prior and the line-drawing guidance to enhance semantic coherence and generate detailed texture. Comparative experiments on a real Dunhuang mural dataset validate that the proposed method can effectively perform mural inpainting, and it delivers superior results in multi-angle evaluations compared to existing algorithms. Quantitative evaluations demonstrate that the proposed method outperforms state-of-the-art image inpainting algorithms across all metrics. Compared with the baseline diffusion model, our full approach improves Peak Signal-to-Noise Ratio (PSNR) by more than 35% and reduces the perceptual error (Learned Perceptual Image Patch Similarity, LPIPS) by over 53%, highlighting its superior performance. In addition, to verify the practical applicability of our algorithm, we designed an interactive ancient mural inpainting system with a visual interface that encapsulates the entire inpainting process. Although the proposed method achieves satisfactory mural inpainting performance, it still faces certain limitations. As the approach relies primarily on Red, Green, and Blue (RGB) visual information, the model struggles to capture the deeper cultural semantics — such as religious narratives and historical context — embedded in murals. Future work will explore multimodal learning and knowledge graph integration to enhance the model’s cultural awareness and semantic understanding in mural inpainting.